Les Daparros make their entrance in a clowny way on long-has-been music to symbolise their respect for those great pioneers as where Chaplin, Laurel and Hardy,...Soon after we reach the Third Millennium with acrobatic-passing-juggling on Salsa and Meringue-music. Interaction is their passion, and this shows when they start juggling around people the public supplies and move cigarettes in mouths and touch hats on heads. First they do this from a steady floor. After worth's they use their monocycles as a less certain launching stand. Ten children are their next prop. Their task: to make sure those missiles (clubs) circle in a safe way around their potential victims. Both keep dreaming taking their record to eleven. Try them out for this new challenge.

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Elegance is shown in a French Ballet (combination of acrobatics and juggling) and leads the public into an emotional fight over cigarettes and strawy hats. This harassment appears meanwhile each one keeps juggling one hand and sitting on mono-cycles. Offenbach's 'Can Can' proves to be the ideal partner for this act and leads to one convincing answer: 'Oh, yes, they Can Can'

After breaking and taking tea for 15 minutes the two hurry back as the wise magician and his clumsy assistant. A form of comical magic where laughing is rather the result of their magic than astonishment.

Daparro Patrice then proves to be a born balancer and seems to take gravity from whatever object. Even a family of spoons obeys like Privates towards their General.

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Mono-cycles make them tango (it takes two...) or become in their dreams mediaeval horses who carry two children seated in our friends necks towards their battle-fields, as reborn knights of King Arthur's Round Table. Camelot, Lancelot,...

On Rola-Rola they keep their own odd competition. Up to you to decide who deserves a medal for courage.

Interaction and interception in acrobatics takes the whole to a climax. Children and adults become chains in human towers and pyramids.

A joyful ending seems like a summary of the show and even takes the critical viewer into a dream of respect for their artistic calling.

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B. The Dirty Plate

* As  show(60 minutes)Pat and Dave finally reached the point of bringing their act as stripping jugglers for a wider audience. But, that's not the vision of Katherine, their mam, the magic woman. She considers stripping a rather vulgar matter and doesn't want the boys doing it in the family show.

Nevertheless Pat and Dave are convinced that their stripping is especially comical and not erotical and so not chocking at all to anyone.

They look for revenge and decide to make disappear Katherine for a little time, just enough to bring their act...

* As attraction or surprising act(7 minutes)

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