

CARREFOURO you, Who came upon me once; Stretched under apple-trees just after bathing; Why did you not strangle me before speaking, Rather than fill me with the honey of your words And then leave me to the mercy Of the forest bees ? From 'Miscellaneous Poems' Amy Lowell had a lesbian relationship with the actress Ada Rusell. Venus TransiensTell me, Was Venus more beautiful Than you are, When she topped The crinkled waves, Drifting shoreward On her plaited shell? Was Botticelli's vision Fairer than mine; And were the painted rosebuds He tossed his lady, Of better worth Than the words I blow about you To cover your too great loveliness As with a gauze Of misted silver? For me, You stand poised In the blue and buoyant air, cinctured by bright winds, Treading the sunlight. And the waves which precede you Ripple and stir The sands at my feet. From 'Miscellaneous Poems' In ExcelsisYou -- you -- Your shadow is sunlight on a plate of silver; Your footsteps, the seeding-place of lilies; Your hands moving, a chime of bells across a windless air. The movement of your hands is the long golden running of light from a rising sun; It is the hopping of birds upon a garden-path. As the perfume of jonquils, you come forth in the morning. Young horses are not more sudden than your thoughts, Your words are bees about a pear-tree, Your fancies are the gold-and-black striped wasps buzzing among red apples. I drink your lips, I eat the whiteness of your hands and feet. My mouth is open, As a new jar I am empty and open. Like white water are you who fill the cup of my mouth, Like a brook of water thronged with lilies. You are frozen as the clouds, You are far and sweet as the high clouds. I dare to reach to you, I dare to touch the rim of your brightness. I leap beyond the winds, I cry and shout, For my throat is keen as is a sword Sharpened on a hone of ivory. My throat sings the joy of my eyes, The rushing gladness of my love. How has the rainbow fallen upon my heart? How have I snared the seas to lie in my fingers And caught the sky to be a cover for my head? How have you come to dwell with me, Compassing me with the four circles of your mystic lightness, So that I say "Glory! Glory!" and bow before you As to a shrine? Do I tease myself that morning is morning and a day after? Do I think the air is a condescension, The earth a politeness, Heaven a boon deserving thanks? So you -- air -- earth -- heaven -- I do not thank you, I take you, I live. And those things which I say in consequence Are rubies mortised in a gate of stone. From 'What's O'Clock' White CurrantsShall I give you white currants? I do not know why, but I have a sudden fancy for this fruit. At the moment, the idea of them cherishes my senses, And they seem more desirable than flawless emeralds. Since I am, in fact, empty-handed, I might have chosen gems out of India, But I choose white currants. Is it because the raucous wind is hurtling round the house-corners? I see it with curled lips and stripped fangs, gaunt and haunting energy, Come to snout, and nibble, and kill the little crocus roots. Shall we call it white currants? You may consider it as a symbol if you please. You may find them tart, or sweet, or merely agreeable in colour, So long as you accept them, And me. From 'What's O'Clock' A decadeWhen you came, you were like red wine and honey, And the taste of you burnt my mouth with its sweetness. Now you are like morning bread, Smooth and pleasant. I hardly taste you at all for I know your savour, But I am completely nourished. From 'Miscellaneous Poems' 'A decade' celebrates the tenth anniversary of her relationship with Ada Dwyer Rusell (1863-1952). She was a Utah Mormon actress who performed in the Salt Lake Theater (Broadway), and on the London stage. Russell entered a long-term relationship with Amy Lowell. Ada was one of the subjects of Amy's poetry from 1912 until Lowell's death in 1925. CrownedYou came to me bearing bright roses, Red like the wine of your heart; You twisted them into a garland To set me aside from the mart. Red roses to crown me your lover, And I walked aureoled and apart. Enslaved and encircled, I bore it, Proud token of my gift to you. The petals waned paler, and shriveled, And dropped; and the thorns started through. Bitter thorns to proclaim me your lover, A diadem woven with rue. FireworksYou hate me and I hate you And we are so polite, we two! But whenever I see you, I burst apart And scatter the sky with my blazing heart. It spits and sparkles in the stars and balls, Buds into roses – and flares, and falls. Scarlet buttons, and pale green disks, Silver spirals and asterisks, Shoot and tremble in a mist Peppered with mauve and amethyst. I shine in the windows and light up the trees, And all because I hate you, if you please. And when you meet me, you rend asunder And go up in a flaming wonder Of saffron cubes, and crimson moons, And wheels all amaranths and maroons. Golden lozenges and spades Arrows of malachites and jades, Patens of copper, azure sheaves. As you mount, you flash in the glossy leaves. Such fireworks as we make, we two! Because you hate me and I hate you. A GiftSee! I give myself to you, Beloved! My words are little jars For you to take and put upon a shelf. Their shapes are quaint and beautiful, And they have many pleasant colours and lustres To recommend them. Also the scent from them fills the room With sweetness of flowers and crushed grasses. When I shall have given you the last one, You will have the whole of me, But I shall be dead. Crépuscule du MatinAll night I wrestled with a memory Which knocked insurgent at the gates of thought. The crumbled wreck of years behind has wrought Its disillusion; now I only cry For peace, for power to forget the lie Which hope too long has whispered. So I sought The sleep which would not come, and night was fraught With old emotions weeping silently. I heard your voice again, and knew the things Which you had promised proved an empty vaunt. I felt your clinging hands while night's broad wings Cherished our love in darkness. From the lawn A sudden, quivering birdnote, like a taunt. My arms held nothing but the empty dawn. From 'Sonnets' (A Dome of Many-Coloured Glass) The Taxi *When I go away from you The world beats dead Like a slackened drum. I call out for you against the jutted stars And shout into the ridges of the wind. Streets coming fast, One after the other, Wedge you away from me, And the lamps of the city prick my eyes So that I can no longer see your face. Why should I leave you, To wound myself upon the sharp edges of the night? 1914 - From 'Sword Blades' (Sword Blades & Poppy Seed) * "Taxi" serves as an example of Amy Lowell's "polyphonic prose" in which she experimented with "rhythm" The Blue ScarfPale, with the blue of high zeniths, shimmered over with silver, brocaded In smooth, running patterns, a soft stuff, with dark knotted fringes, it lies there, Warm from a woman's soft shoulders, and my fingers close on it, caressing. Where is she, the woman who wore it? The scent of her lingers and drugs me! A languor, fire-shotted, runs through me, and I crush the scarf down on my face, And gulp in the warmth and the blueness, and my eyes swim in cool-tinted heavens. Around me are columns of marble, and a diapered, sun-flickered pavement. Rose-leaves blow and patter against it. Below the stone steps a lute tinkles. A jar of green jade throws its shadow half over the floor. A big-bellied Frog hops through the sunlight and plops in the gold-bubbled water of a basin, Sunk in the black and white marble. The west wind has lifted a scarf On the seat close beside me, the blue of it is a violent outrage of colour. She draws it more closely about her, and it ripples beneath her slight stirring. Her kisses are sharp buds of fire; and I burn back against her, a jewel Hard and white; a stalked, flaming flower; till I break to a handful of cinders, And open my eyes to the scarf, shining blue in the afternoon sunshine. How loud clocks can tick when a room is empty, and one is alone! From 'Poppy Seed' (Sword Blades & Poppy Seed) White and Green
Hey! My daffodil-crowned,
Slim and without sandals !
As the sudden spurt of flame upon darkness
So my eyeballs are startled with you,
Supple-limbed youth among the fruit-trees,
Light runner through tasselled orchards.
You are an almond flower unsheathed
Leaping and flickering between the budded branches.From 'Poppy Seed' (Sword Blades & Poppy Seed) ![]() Almond-blossom AubadeAs I would free the white almond from the green husk So would I strip your trappings off, Beloved. And fingering the smooth and polished kernel I should see that in my hands glittered a gem beyond counting. From 'Poppy Seed' (Sword Blades & Poppy Seed) A LadyYou are beautiful and faded Like an old opera tune Played upon a harpsichord; Or like the sun-flooded silks Of an eighteenth-century boudoir. In your eyes Smoulder the fallen roses of out-lived minutes, And the perfume of your soul Is vague and suffusing, With the pungence of sealed spice-jars. Your half-tones delight me, And I grow mad with gazing At your blent colours. My vigour is a new-minted penny, Which I cast at your feet. Gather it up from the dust, That its sparkle may amuse you. From 'Poppy Seed' (Sword Blades & Poppy Seed) In a GardenGushing from the mouths of stone men To spread at ease under the sky In granite-lipped basins, Where iris dabble their feet And rustle to a passing wind, The water fills the garden with its rushing, In the midst of the quiet of close-clipped lawns. Damp smell the ferns in tunnels of stone, Where trickle and plash the fountains, Marble fountains, yellowed with much water. Splashing down moss-tarnished steps It falls, the water; And the air is throbbing with it. With its gurgling and running. With its leaping, and deep, cool murmur. And I wished for night and you. I wanted to see you in the swimming-pool, White and shining in the silver-flecked water. While the moon rode over the garden, High in the arch of night, And the scent of the lilacs was heavy with stillness. Night, and the water, and you in your whiteness, bathing! From 'Poppy Seed' (Sword Blades & Poppy Seed) Apology
Be not angry with me that I bear
Your colours everywhere,
All through each crowded street,
And meet
The wonder-light in every eye,
As I go by.
Each plodding wayfarer looks up to gaze,
Blinded by rainbow haze,
The stuff of happiness,
No less,
Which wraps me in its glad-hued folds
Of peacock golds.
Before my feet the dusty, rough-paved way
Flushes beneath its gray.
My steps fall ringed with light,
So bright,
It seems a myriad suns are strown
About the town.
Around me is the sound of steepled bells,
And rich perfumed smells
Hang like a wind-forgotten cloud,
And shroud
Me from close contact with the world.
I dwell impearled.
You blazon me with jewelled insignia.
A flaming nebula
Rims in my life. And yet
You set
The word upon me, unconfessed
To go unguessed.From Sword Blades & Poppy Seed Night CloudsThe white mares of the moon rush along the sky Beating their golden hoofs upon the glass heavens; The white mares of the moon are all standing on their hind legs Pawing at the green porcelain doors of the remote heavens Fly, Mares! Strain your utmost Scatter the milky dust of stars, Or the tiger sun will leap upon you and destroy you With one lick of his vermilion tongue. The Fruit Garden PathThe path runs straight between the flowering rows, A moonlit path, hemmed in by beds of bloom, Where phlox and marigolds dispute for room With tall, red dahlias and the briar rose. 'T is reckless prodigality which throws Into the night these wafts of rich perfume Which sweep across the garden like a plume. Over the trees a single bright star glows. Dear garden of my childhood, here my years Have run away like little grains of sand; The moments of my life, its hopes and fears Have all found utterance here, where now I stand; My eyes ache with the weight of unshed tears, You are my home, do you not understand? The Garden by MoonlightA black cat among roses, Phlox, lilac-misted under a first-quarter moon, The sweet smells of heliotrope and night-scented stock. The garden is very still, It is dazed with moonlight, Contented with perfume, Dreaming the opium dreams of its folded poppies. Firefly lights open and vanish High as the tip buds of the golden glow Low as the sweet alyssum flowers at my feet. Moon-shimmer on leaves and trellises, Moon-spikes shafting through the snowball bush. Only the little faces of the ladies' delight are alert and staring, Only the cat, padding between the roses, Shakes a branch and breaks the chequered pattern As water is broken by the falling of a leaf. Then you come, And you are quiet like the garden, And white like the alyssum flowers, And beautiful as the silent sparks of the fireflies. Ah, Beloved, do you see those orange lilies? They knew my mother, But who belonging to me will they know When I am gone. The weather-cock points southI put your leaves aside, One by one: The stiff, broad outer leaves; The smaller ones, Pleasant to touch, veined with purple; The glazed inner leaves. One by one I parted you from your leaves, Until you stood up like a white flower Swaying slightly in the evening wind. White flower, Flower of wax, of jade, of unstreaked agate; Flower with surfaces of ice, With shadows faintly crimson. Where in all the garden is there such a flower? The stars crowd through the lilac leaves To look at you. The low moon brightens you with silver. The bud is more than the calyx. There is nothing to equal a white bud, Of no colour, and of all, Burnished by moonlight, Thrust upon by a softly-swinging wind. Madonna of the Evening FlowersAll day long I have been working, Now I am tired. I call: "Where are you?" But there is only the oak tree rustling in the wind. The house is very quiet, The sun shines in on your books, On your scissors and thimble just put down, But you are not there. Suddenly I am lonely: Where are you? I go about searching. Then I see you, Standing under a spire of pale blue larkspur, With a basket of roses on your arm. You are cool, like silver, And you smile. I think the Canterbury bells are playing little tunes. You tell me that the peonies need spraying, That the columbines have overrun all bounds, That the pyrus japonica should be cut back and rounded. You tell me these things. But I look at you, heart of silver, White heart-flame of polished silver, Burning beneath the blue steeples of the larkspur. And I long to kneel instantly at your feet, While all about us peal the loud, sweet `Te Deums' of the Canterbury bells. AbsenceMy cup is empty to-night, Cold and dry are its sides, Chilled by the wind from the open window. Empty and void, it sparkles white in the moonlight. The room is filled with the strange scent Of wistaria blossoms. They sway in the moon's radiance And tap against the wall. But the cup of my heart is still, And cold, and empty. When you come, it brims Red and trembling with blood, Heart's blood for your drinking; To fill your mouth with love And the bitter-sweet taste of a soul. The Giver Of StarsHold your soul open for my welcoming. Let the quiet of your spirit bathe me With its clear and rippled coolness, That, loose-limbed and weary, I find rest, Outstretched upon your peace, as on a bed of ivory. Let the flickering flame of your soul play all about me, That into my limbs may come the keenness of fire, The life and joy of tongues of flame, And, going out from you, tightly strung and in tune, I may rouse the blear-eyed world, And pour into it the beauty which you have begotten. AftermathI learnt to write to you in happier days, And every letter was a piece I chipped From off my heart, a fragment newly clipped From the mosaic of life; its blues and grays, Its throbbing reds, I gave to earn your praise. To make a pavement for your feet I stripped My soul for you to walk upon, and slipped Beneath your steps to soften all your ways. But now my letters are like blossoms pale We strew upon a grave with hopeless tears. I ask no recompense, I shall not fail Although you do not heed; the long, sad years Still pass, and still I scatter flowers frail, And whisper words of love which no one hears. Mise en scèneWhen I think of you, Beloved, I see a smooth and stately garden With parterres of gold and crimson tulips And the bursting lilac leaves. There is a low-lipped basin in the midst, Where a statue of veined cream marble Perpetually pours water over her shoulder From a rounded urn. When the wind blows, The water-stream blows before it And spatters into the basin with a light tinkling, And your shawl-- the colour of red violets-- Flares out behind you in great curves Like the swirling draperies of a painted Madonna. Wheat-In-The-Ear
You stand between the cedars and the green spruces,
Brilliantly naked
And I think:
What are you,
A gem under sunlight?
A poised spear?
A jade cup?
You flash in front of the cedars and the tall spruces,
And I see that you are fire--
Sacrificial fire on a jade altar,
Spear-tongue of white, ceremonial fire.
My eyes burn,
My hands are flames seeking you,
But you are as remote from me as a bright pointed planet
Set in the distance of an evening sky.OpalYou are ice and fire, The touch of you burns my hands like snow. You are cold and flame. You are the crimson of amaryllis, The silver of moon-touched magnolias. When I am with you, My heart is a frozen pond Gleaming with agitated torches. ![]() |
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