>> LATEST NEWS ::.
// GUERILLA GREEN - a journey about Pit the Seed

As some of you might already know, last year I got invited by Saron Paz and Jose Subero to join their project ‘Guerilla Green’. They asked me to illustrate the journey of Pit for an event in Zaandam, Holland. Pit The Seed is a short children’s story that is entertaining and at the same time a learning exercise. Pit is a sunflower seed that finds the Dutch winter too cold and wants to immigrate to warmer areas. Seeing as he doesn’t have any wings or other devices to cross the sea or sky, he needs to find other solutions. Based on this story, the participants of the event built their own floating devices and balloons to send Pit off into the big world. After successfully finishing part one of this project. We are developing the next fases. |
// TOUCHING BASE WITH KELLY DE MEYER - interview by Ripo at NO NEW ENEMIES
TOUCHING BASE WITH KELLY DE MEYER - interview at No New Enemies
// GROUPSEXPO WDLnet | Seoul Design Olympiad 2009 | www.wdlnet.org
WDLnet presents 'Seoul Design Olympiad 2009' from October 9TH > 29TH at the Jamsil
Olypic Stadium, Seoul, South - Korea
This is the second show, orginised by the WDL network, I will be participating at.
MORE INFO | http://sdo.seoul.go.kr/eng | www.wdlnet.org
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.:: upcoming event: expo in Berchem for the VVTIV organisation.
More info soon
too follow.
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// Working on project Jane Doe 13 vs. Mr. Soap Bar Houdini...
SHE WHO DRAWS WITH PHOTOGRAPHS AND TAKES SNAP SHOTS WITH HER PENCIL...
Artist Statement:
I’m fascinated by people and their psyche. Captivated by the beauty of the minority and the intriguing game between opposites in any shape or form, I try to create a point of recognition for the viewer.
I have just one addiction and that’s my obsession with snails that smile without their teeth showing.
Quote:
Kelly De Meyer is not interested in art as it were. Her passion is people, her search is one for those human similarities that might take us towards something like a truth that suits the whole species. She’s looking for this beneath the surface, under the clothes; using psychology and emotion as the foundations for expressing her own vocabulary. Can a word really communicate our feelings?
With exceptional precision and an intimate vulnerable approach, the young Belgian illustrator tries to get there in images.
Her pictures tell stories.
The narratives are tender, but not gentle. They are somehow aware that the image can always only be the surface, and when you start staring into the skin of her work, smooth flesh reveals its scars, things get darker, and Kelly gingerly pushes you to walk away from the light. Don’t be afraid. All you can find in there is yourself.
Harlan Levey
Editor in Chief / Modart Magazine

