Review by
Thomas Glorieux: Whether the other 2 are known or not known, its the fact Conti throws his own voice into the recording that matters, with A Night in the Life of Jimmy Reardon we reach his kiddy teenage flick attitude and that is clear in the way he uses the synthesizers and bouncing electronics. Its not persé a fine score but a listenable one more the same, with flutes and bouncy tunes setting the tone alive. 'Go Around Back' has the 2 themes in a teenage like sweet setting while 'The Flood' adds some drum loops to full effect, creating a light suspense. 'The Note' and 'I Want it Know' has the nice love theme setting down a breezy performance (due to the flute ala Karate Kid) while the bouncy theme and attitude is very much alive in 'Jimmy's Theories'. The wackiness of 'Atmosphere' ever puts us into teenage mood before 'Heredity' signs off the middle part with again the themes of the movie in nice effect. While being fun and sweet on occasions, none of the trademark fanfares are present to put life into the music. However, this also works to the advantage that the score is a Conti experience, and a new one at that. With Bushwacked we get the trademark fanfares and while its also a lot less serious, at least the fun is ever-present on occasions. The electric guitar or the harmonica shows all kinds of comical twists ('Whacked!', 'The Fire', 'The New Girl') that are forgettable but the fanfares do sound remarkably similar to Sister Act. While most of it is pretty standard and foolish, the end is rather fun with again the Right Stuff like attitude, and in 'The Hike' its militaristic, in 'Our Leader' its a fast repertoire of action, of suspense and of heroism until 'Big Finish' brings a Right Stuff ending with whirling strings, which is breathless to sing with. So basically as bonus pieces you get the non Conti style and the all Conti style, but in general these are bonuses that bring a nice fluent experience and bring more Conti for you to enjoy, even if they aren't his best at all. But when you get 3 scores for the prize of one, and one being the requested top 5 soundtrack of them all, who are we to criticize Conti or Varèse? Perhaps its not the best Conti has to offer but fun they most certainly are. Rookie
of the Year: ***1/2 \µµµ1/2/
Rookie of the Year 1. Main Title March (6.19) Excellent Track 2. Miracle Throw (2.10) 3. The River (2.07) 4. A Great Summer (4.11) 5. Mound Advice (2.48) Excellent Track 6. Jack's Big Mistake (1.30) 7. Henry's Got A Plan (2.44) 8. Float It! (3.58) Excellent Track Total Length: 27.17
A Night in the Life of Jimmy Reardon 9. Desperation (1.18) 10. Reality (1.16) 11. Go Around Back (3.22) 12. Hawaiian Dreams (2.37) 13. The Flood (2.54) 14. The Note (1.57) 15. Jimmy's Theories (2.39) 16. I Want It Now (1.15) 17. Atmosphere (2.12) 18. The Bad "L" (0.45) 19. Heredity (3.32) Total Length: 23.47
Bushwacked 20. Whacked! (1.48) 21. The Fire (2.44) 22. The New Girl (1.27) 23. Max Meets Kids (1.48) 24. Devil's Peek (1.05) 25. The Swat Team (2.18) 26. Danger! (2.22) 27. The Hike (1.11) 28. Mad Max (1.39) 29. Palmered (1.11) 30. Our Leader (3.14) 31. Big Finish (4.17) Excellent Track Total Length: 27.26
The use of artwork or photos is posted for non profitable reasons === Link to Composer Site: Bill Conti === |
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Original Soundtracks by Bill Conti |
Produced by by Nick Redman |
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Recorded at Twentieth Century Fox; Los Angeles & Ocean Way; Los Angeles |
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