Review
by Thomas Glorieux: This of course can be explained if the movie is portraying some rather difficult scenes, but also this is unknown to me because I haven't seen the movie. Still, they bother the overall mood of the score. The end is solid but what the score really lacks are impressive highlights. An example is the short and rather intriguing choral piece found in 'Kremlin Riot / Karpov's Room' but this really isn't sufficient in general. The score as a whole is consistent in tone and varies from action to thriller to romance, but this doesn't mean it all sounds good. The Saint is rather bland in its construction and it doesn't really offer something that we can not find in other scores. This is disappointing because I expected something more, and those sound files really promised much. Graeme Revell has created a score that will sooth its movie and scenery and the sound quality is extremely loud, this is actually the first time that I had to lower the volume and it maintained a powerful or at certain moments unpleasant experience nonetheless. The truth is, I'm not a Revell fan and I stumbled on this score by accidence. This means that I can not recommend this score for some better moments of music, only the Revell fans will want to dig out every second of it. That shows that you must never hope for the best, because disappointment will always be luring around the corner on half of the occasions. \µµµ/
1. Main Title (6.26) 2. Break-In * (3.46) 3. Shelley Monument (2.16) 4. Searching Apartment (3.38) 5. Love Theme (2.54) 6. The River Chase (3.15) 7. The Tunnels (2.35) 8. Race To Embassy (2.22) 9. Tempelhof (2.41) 10. Love Theme (Second Version) * (2.54) 11. Kremlin Riot / Karpov's Room (4.40) 12. Red Square (3.09) 13. The Fight (5.39) 14. Love Theme Finale (5.27) * Different Version contained in the Film Total Length: 52.13
The use of artwork or photos is posted for non profitable reasons === Link to Composer Site: Graeme Revell === |
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Original Soundtrack by Graeme Revell |
Produced by by Graeme Revell |
Orchestrations by John Bell, Nick Ingman & Graeme Revell |
Performed by The London Metropolitan Orchestra |
Recorded at CTS Studios & Lansdowne Studios; London |
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