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Review
by Thomas Glorieux: I like the tracks 'Instinct', which portrays the female vocal, 'Silence' that has a cool theme, and 'Pour Bronté' that sums up all the motifs of the score. Hans also adds minor parts of flute and even Gerard Depardieu's humming, like we can witness in the movie. Even the end song is quite good and fun, an easy to hum piece whatsoever. This all makes Green Card a score that doesn't sound like something you already heard before, which is nice because background scores like these do tend to sound the same. There is something present in this score that makes it attractive, and I think for each person something different, but then you don't have to hate what synthesizers can do. They call it a form of quick scoring where the art of music is forgotten. I can not deny that its maybe a faster way to score music, but if the motifs or themes aren't good, they will suck big time with an orchestra or on synthesizer. Hans Zimmer thought carefully about the movie's wish, which makes Green Card a pleasant and nice score. \µµµ/
1. Subway Drums: Larry Wright (1.28) 2. Instinct (3.33) 3. Restless Elephants (2.54) 4. Cafe Afrika (2.59) 5. Greenhouse (3.15) 6. Moonlight (1.23) 7. 9am Central Park (1.48) 8. Clarinet Concerto In A Major: Adagio * (8.35) 9. Silence (4.37) 10. Instinct II (3.09) 11. Asking You (1.45) 12. Pour Bronté (6.18) 13. Eyes On The Prize: The Emmaus Group Singers (3.03) * Performed by Wolfgang Amadeus Mozart Total Length: 44.58
The use of artwork or photos is posted for non profitable reasons === Link to Composer Site: Hans Zimmer === |
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Original Soundtrack by Hans Zimmer |
Produced by by Hans Zimmer & Peter
Weir |
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Recorded at Rhino Studios; Sidney |
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