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Review by
Thomas Glorieux: It all starts with a short dialogue track but the first real strong track is 6, 'Lovemaking', a very interesting scene in the movie (no, not for that part) and the music itself works to the advantage of the scene, combining a building tension and supported through excellent choral accompaniment of the LA Master Choral. There are of course spooky tracks with their additional wash of harsh tones but in a way this is acceptable because they create in the movie a much more scary mood than in End of Days, were the music became too loud for my liking. 'Geddes / Weaver' is one of the best tracks on this soundtrack. It starts with a vocal, organ and a constant movement of unease, before the choir starts to give it real demonic edges and a strong finale. '57th Street' is just the same, here the sole vocal returns but bringing such a scary mood of music, it actually scares the living hell out of you. This will probably only work when you know what you are witnessing on screen because the scene itself is creepy as hell. 'Fire' is the climax of the score with powerful chants of the choir and a load of orchestral demonic display before a quiet, soft piano movement closes the score in 'Ring'. Apart from the score we have the piano music by Michael Lang which is not that fitting and the classical music performed on organ heard during the funeral ceremony which works better in the mood. And the three dialogue sequences are short but cool. Especially 'Finale' is excellent with a wonderful Al Pacino in the leading role, oooohhh, the man has got authority. So, for 49 minutes this score brings the best out of the recollection of the movie, making the score as effective as heard during it. It is probably a taste of knowing what you are seeing on screen that makes the score so good because Howard really makes the impression on screen. Devil's Advocate is in my personal opinion way easier than End of Days, way scarier ( in subtlety terms speaking) than End of Days and way better to enjoy than End of Days. So, you don't have to tell me which score I prefer listening to. Devil's Advocate isn't The Omen but surely comes close with its masterful combination of scary music and menacing choral development. \µµµ1/2/
1. Vanity * (0.13) 2. Main Title (1.03) 3. New York (0.49) 4. Milton (0.56) 5. Rendevous: Michael Lang (3.39) 6. Lovemaking (3.31) Excellent Track 7. Christabella (1.07) 8. Apartment Building (0.46) 9. Barzoon (2.37) 10. Montage (1.01) 11. Geddes / Weaver (4.04) Excellent Track 12. Baby (1.55) 13. Finish The Story (2.00) 14. Time (1.57) 15. Cullen Gets Off (2.50) 16. Suicide (2.07) 17. Can't Have Children (0.56) 18. Baka (1.19) 19. 57th Street (2.02) Excellent Track 20. Air On The G String: Virgil Fox (4.28) 21. Church (2.34) 22. I Rest My Case (2.20) 23. Fire (1.26) 24. Ring (0.57) 25. Surprise * (0.27) 26. Finale * (1.46) * Dialogue from the motion picture Total Length: 49.58
The use of artwork or photos is posted for non profitable reasons === Link to Composer Site: James Newton Howard === |
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Original Soundtrack by James N. Howard |
Produced by by James Newton Howard |
Orchestrations by Brad Dechter, Jeff Atmajian, Robert Elhai & James Newton Howard |
Performed by The LA Master Chorale |
Recorded at Todd -AO Scoring Stage, Capitol & JNH Studios |
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