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Review by
Thomas Glorieux: Things become to sound rather immense with 'The End of Our Island' and one of the soundtrack's big highlights 'Raptors / Stand Together', here for the first time we hear the adventure theme. It receives an extreme action performance and directly shows up in the next 'Across the Desert', most prominently remembered for its amazing version. Up to the point for Disney fanatics to discover that not all sounds utterly gorgeous or melodically emotional. The second part brings a little less magic and a bit more loud action, sort of dinosaur action music with the same loud musical style of Jurassic Park. In a way a little less scary then John Williams' music but still offering its extreme proportions. But what did you expect when some nasty looking creatures start to fight? You accepted it with Jurassic Park and you will have to do it again with Dinosaur. Other highlights include 'Finding Water' and 'Breakout'. I still noticed this after several listens, the good pieces of the score are brilliant and exciting, the lesser parts sort of floated by without I ever noticed it. This is perhaps the only regrettable part of Howard's music. The score didn't seem to capture my complete interest, of course this is just a matter of taste. The soundtrack ends with high ground, bringing the main highlight of Dinosaur, the captivating main theme in 'Epilogue' again for a last time. So I have to mention just that people have to be ashamed. If people simply started to listen to Dinosaur and figured out that Howard after all was more then The Fugitive and My Best Friend's Wedding, then you dishonest his other supreme scores. Waterwold, The Postman, parts of Alive and I assume a lot of other works captured too few that Hollywood spectrum, though they offered a lot in return. Dinosaur isn't the only score of Howard that amazes but it is nonetheless the first to capture this insane interest, and of course I can not blame them. 2000 offered its sheer size of fun and Dinosaur is part of that incredible contribution, bringing some of the best film music of the year, delivering the amount of action material to shiver any house from basement to roof and most importantly, it opened unseen doors for James Newton Howard. And you can see this only one way, positive for him and for the mainstream fans of film music. History repeats itself, Disney offered style with high musical standards, worship it while you can. \µµµµ1/2/
1. Inner Sanctum / The Nesting Grounds (2.57) 2. The Egg Travels (2.43) Excellent Track 3. Aladar & Neera (3.29) 4. The Courtship (4.12) Excellent Track 5. The End Of Our Island (4.01) 6. They're All Gone (2.08) 7. Raptors / Stand Together (5.37) Excellent Track 8. Across The Desert (2.25) Excellent Track 9. Finding Water (4.13) 10. The Cave (3.41) 11. The Carnotaur Attack (3.52) 12. Neera Rescues The Orphans (1.12) 13. Breakout (2.44) 14. It Comes With A Pool (3.01) 15. Kron & Aladar Fight (2.58) 16. Epilogue (2.32) Excellent Track Total Length: 51.47
The use of artwork or photos is posted for non profitable reasons === Link to Composer Site: James Newton Howard === |
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Original Soundtrack by James N. Howard |
Produced by by James Newton Howard &
Jim Weidman |
Orchestrations by Brad Dechter, Jeff Atmajian & James Newton Howard |
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Recorded at Todd -AO Scoring Stage, JNH Studios, Signet Soundelux, O' Henry Sound Studios & Paramount Stage M |
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