Home // A-L // M-Z // Composers // Awards
|
Review
by Thomas Glorieux: The other pinnacle moment or better said the end of the beginning for 2 scientists is found at the end, with the accompanying track 'The Fire'. Here the dark theme heard many times before takes the heaviest burden in that we destroy what could be our salvation. Again a more spiritual feel that can take any direction in how you want to see it but again Goldsmith is spot on with his music. For the rest, this is what the score revolves around. Either it is the one theme or the other making an appearance, but it never becomes too much for one theme alone. The danger and of course more dark dramatic theme is often heard in a variation, whether more playful or emotionally lighthearted. The score cue that opens it is equally a lovely one to digest. 'Rae's Arrival' includes the bouncy piece for guitar, percussion and pan pipes and fits just so well with all the other bouncy pieces Goldsmith has written in his career. Here the dark drama theme receives its first outing. So in the end you have three themes, all bringing one time or another a performance in all of the tracks. 'Campbell and the Children' is the first track where a short version of the tree theme is heard but still its performance in track 4 is of the utmost superiority, check out the version when it smacks your head upside down on 3.34. The other thematic moments all make great background listening and even the dark theme sometimes flies before your eyes when it appears with the more lighthearted touch, its that different simply. 'Mountain High' is a nice example of this fact. 'Without a Net' is also very good to listen to, a playful wash after 2 minutes with the tree theme that glows near the end. The last track after the climatic fire sequence is 'A Meal and a Bath' and is just what people call 'born compilation material'. Here all the themes once more appear in their best performance but also the string work around the fourth minute is simply brilliant, it almost can make you cry of happiness. Result, from start to finish, Medicine Man is a dream of a score. The more ethnic pieces that bounce around are perhaps background material but it is background material that listens so well, it is interesting to begin with. The themes that weave around this score are excellent and the music is simply of such a nature that it makes the movie recommendable on its own. Along with The Ghost and the Darkness and Under Fire it is a testament to the quality of ethnic scores of Goldsmith. And along with Basic Instinct, it is the crème de la crème of Goldsmith for '92. \µµµµ/
1. Rae's Arrival (5.07) Excellent Track 2. First Morning (3.45) 3. Campbell And The Children (1.56) 4. The Trees (6.01) Excellent Track 5. The Harvest (3.11) 6. Mocara (3.36) 7. Mountain High (2.40) 8. Without A Net (4.18) 9. Finger Painting (2.30) 10. What's Wrong (1.51) 11. The Injection (2.09) 12. The Sugar (2.07) 13. The Fire (2.10) Excellent Track 14. A Meal And A Bath (8.04) Excellent Track Total Length: 50.12
The use of artwork or photos is posted for non profitable reasons === Link to Composer Site: Jerry Goldsmith === |
|
Original Soundtrack by Jerry Goldsmith |
Produced by by Jerry Goldsmitht |
Orchestrations by Arthur Morton |
Performed by The National Philharmonic Orchestra |
Recorded at The Hit Factory; London |
Also See: Congo |
|