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Review
by Thomas Glorieux: Goldsmith does deliver his main theme and his villain theme in quite the same manner and style. He makes small variations and can put them seamlessly together. Both show up in their respected amount of places. The Shadow has a lot of adventure music and the score actually doesn't stand still to offer the main romance theme for the two main characters, only in the first and the last track does it get the time and place. The main song is actually very good and has a sort of Tina Turner strength surrounded, it is very entertaining towards my standards. Goldsmith fans receive the minimum again on material, but they nonetheless get the maximum fun out of it on disc. The Shadow is the constant battle of adventure music and the surrounding but extremely effective sound effects and in the end you get what you want, an attractive sound on the whole. But I feel that it all fits too close together and in a way you have heard it all before after the second or third track. This is no criticism because the music stays entertaining and enjoyable. It offers what people want. It simply hasn't got the amount to persuade it higher or the variety to entertain me simply a bit more. Recommended for its bright spots and the usual Goldsmith fun, and for its perfect musical used material. \µµµ1/2/
1. The Poppy Fields (Main Title) (3.16) Excellent Track 2. The Sanctum (3.32) 3. Who Are You? (4.01) 4. Chest Pains (3.24) 5. The Knife (3.03) 6. The Hotel (5.52) Excellent Track 7. The Tank (4.04) 8. Frontal Lobotomy (2.27) Excellent Track 9. Original Sin: Taylor Dayne (6.21) Excellent Track Total Length: 36.23
The use of artwork or photos is posted for non profitable reasons === Link to Composer Site: Jerry Goldsmith === |
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Original Soundtrack by Jerry
Goldsmith |
Produced by by Jerry Goldsmith |
Orchestrations by Arthur Morton & Alexander Courage |
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Recorded at Todd -AO Scoring, Studio City & Sony Scoring Stage, Culver City; CA |
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