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Review by
Thomas Glorieux: In the disappointment factor, My Favorite Martian still ranks high. I wasn't expecting the world of it but two things got me somewhat on the edge of my toes. 1) Debney is Debney and he can get us some orchestral frenzy material (a piece like Little Giants is still all what I mean) and 2) I was expecting something in the vain of Doctor Who. Some alienating magical force with adventurous rhythms and a choral wash of proportions. Well, the choir is there (just very very briefly at times) and the adventurous tone also (5 minutes perhaps tops) but the rest is comical Mickey mouse music that goes and goes, without actually sounding a bit interesting in the stakes. In fact, the music sometimes is too close to Alan Silvestri (Who Framed Roger Rabbit), James Newton Howard (Space Jam) and basically Debney in Inspector Gadget, Cats & Dogs and Liar Liar mode. Nonetheless, the first track could have come from David Newman (another comical frenzy composer) and 'My favorite Martian Medley' is along with a track at the end the only existing piece of music, meaning it simply attracts your attention. It covers the rush of Liar Liar, a piano theme a la David Newman (which sounds for the first notes exactly like Carol Anne's theme of Poltergeist) and an animated nature like Silvestri did during WFRR. That Debney uses somewhat the theme of Goldsmith is even more disturbing, since he did it also in Hocus Pocus for that matter, of course using a different starting note there. A choir is briefly heard like in tracks 2, 4 or various others (not much of them though) and other noticed inclusions are electric guitar (think of the monstar's theme though less rockin) like in 'Tim Fights Zoot', jazz like in 'What's a Lizzie' and even if above all odds accordion 'Mrs. Brown' and brief inclusions of classical sounding violin 'The Newscast'. And don't forget the mambo feeling on occasions. Perhaps the main 'Poltergeist' theme is the only redeeming factor worth noting except for the slim use of more suspense building action music (10 and 20) and the only good tracks at the end, being 'Into the Sewer' and 'The Original Martian / Coleye gets It', which has for once interesting things at offer. However, completely observed, the first 18 tracks (except the first) are simply dud after dud, music that achieves something of a goal but doesn't offer one second of interesting music, meaning you actually never think your listening to something, let alone sing with it (which was pretty rare). At the end you come to the conclusion that My Favorite Martian achieves this: after all this time I haven't got a single clue what the hell Zoot is, the music consists of perhaps 15 minutes that can achieve a goal and that the listening time is way over its acceptable limit. Again, shorten the score to maximum 35 minutes and you might get at least something of the listening experience. My Favorite Martian might indeed be a score that can sooth several out there, but apart from them being Martian in nature, it is a weirdo of a score, just like the movie seems to be. \µµ1/2/
1. My Favorite Martian Medley (5.19) 2. Uncle Martin Appears (1.27) 3. Tim Comes Home / Martin Sneaks In (2.13) 4. Operation Deadhead (2.27) 5. Tim Fights Zoot (1.26) 6. What's A Lizzie (1.12) 7. Lizzie Kiss / SETI Operation (2.40) 8. Spaceship Crash Landing (2.41) 9. The Ship Expands (1.30) 10. Followed On The Pier (1.35) 11. Mrs. Brown (1.06) 12. Martin & Tim / Brace Discovery (1.29) 13. Zoot In Love (1.36) 14. Zipper Trouble (2.03) 15. Lizzie & Tim Kiss (0.55) 16. Martian Depression (2.34) 17. Zoot Reacts (0.37) 18. Dr. Coleye's Plan (2.28) 19. Tim & Lizzie (1.24) 20. Lizzie Reduced (2.12) 21. Martin Becomes Brace (2.31) 22. The Newscast (2.07) 23. Mrs. Brown Takes The Ship (0.42) 24. Into The Sewer (1.16) 25. The Sewer Chase (1.47) 26. Toilet Trouble (1.16) 27. Kiss From A Martian (0.30) 28. Martian Gets A Dart (1.22) 29. Captured And Analyzed (2.14) 30. Lizzie Transforms (2.18) 31. Martin Resurrected (2.07) 32. Escape / Saying Goodbye (2.01) 33. The Original Martian / Coleye Gets It (3.41) 34. Uncle Martin Returns (2.46) 35. Martian Mambo (1.31) Total Length: 67.23
The use of artwork or photos is posted for non profitable reasons === Link to Composer Site: John Debney === |
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Original Soundtrack by John Debney |
Produced by by John Debney |
Orchestrations by Brad Dechter, Frank Bennett, Don Nemitz, Chris Klatman & Ira Hearshen |
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