'
If you’re a good composer, you’ll come up with pieces that live beyond just the film.'


Biography

Lee Holdridge was born on March 3, 1944 in Port-au-Prince, Haiti and is known as an accomplished composer for Television films. In the early days he spent his time in Costa Rica, but moved to Boston and New York to endure his musical studies. In 1971 he wrote his first score. His list of credits is nonetheless spectacularly grown since then, writing mostly for Television yet occasionally marking his compositional stature with some higher budget rated movies. His biggest hit was Splash (of director Ron Howard), yet other movies are known such as The Beastmaster, Big Business, Old Gringo as The Long Way Home. Successful TV movies include the credits of Beauty and the Beast, The Dreamer of Oz, Heidi, The Tuskegee Airmen and Into Thin Air among others. Lee Holdridge has also written various concert suites and worked with some of the best artists of the time. He received also critical acclaim for his score for the television mini film The Mists of Avalon. Further credits include Unlikely Heroes and Television work for mostly the last couple of years, including the acclaimed The Brooke Ellison Story. He has received 15 Emmy nominations of which he won 6 so far.


February, 1999

Animation is very detailed writing; the music carries a lot more of what you see on the screen, so you have to make sure you really fit everything in.
(on scoring animation)


February, 1999

With Nimh I tried to score it more dramatically, like an action film in places, and I think it pays off. It made it a little different, a little more serious, so to speak.
(on The Secret of NIMH 2)


February, 1999

Animation is perfect for a composer. You can be very imaginative and do a lot of stuff with it!
(on scoring animation)


October 9, 2001

Both the director and the producer were very adamant - no fanfares! We established this as the language very early on, and it worked quite well. I love challenges like that because as a composer, the pleasure of scoring a film or miniseries, or anything is that you inevitably are led to work on ideas musically that you wouldn't normally consider.
(on The Mists of Avalon)



Links to Personal Webpages:


Highlight of his career:
" The Mists of Avalon receiving acclaim from critics and fans "

The Works

лллл

The Mists of Avalon