After the release of two CD albums ("Elixir lytique" &
"Face (of) death"), Belgium's Aïboforcen disappeared
from the scene to work on various projects. This break allowed them
to strike back now with a partially new line-up and more especially,
with a more mature and better mastered type of sound. With their third
album, "Sons palliatifs", they do not only close their trilogy
around the "near death experience" theme, but especially
confirm their open-minded song-writing attitude as well as the complexity
of their music arrangements.
Incorporating modern trip-hop beats, techno bleeps and heavily fused
samplings, Aïboforcen inscribe themselves in the new-EBM generation
who intelligently marry power and energy with catchiness and melody.
"Sons palliatifs" is a dark trip through synthetic industrial/techno
pop realms haunted by male/female vocals. Hovering between dancefloor
tunes and musics for tortured brains, the exploding diversity of this
album makes its force and wealth
Taken from the [official website]:
Benoît Blanchart (music, synths, sampling) and Séba
Dolimont (lyrics, vocals, sampling) started their first sonic experimentations
in 1993 in Charleroi, Belgium. After a first demo tape "Black
slang" and various compilation appearances, the duo signed
to Celtic Circle Productions who released their debut album "Elixir
lytique" (lethal elixir). A rather dark electronic album revealing
already a very diversified and open-minded approach of music and
vocals. Lyrically, the album dealt with mostly negative aspects
of life. It's a kind of approach towards a scary and exciting phenomenon:
Death... They placed the lethal aspect in various contexts according
to what they see, hear, read, feel and experience. And the famous
French artist Françoise Duvivier gave a perfect visual interpretation
of their world through her highly expressive collages that have
been represented on the booklet of the album. The debut album was
co-produced by Peter J. from Page 12 and aïboforcen also collaborated
on that first album with Sabotage?, Pierrepoint and Ionic Vision
for guest vocals, remixes and co-production.
Several months later, the band's sound and image had evolved so
much that aïboforcen released several new tracks next to a
bunch of remixes of their best tracks off the previous album by
artists like Leaether Strip, Regenerator, Xingu Hill, VNV Nation,
New Mind, Fiction 8 or yet Neuroactive, plus a guest vocal appearance
of Psyche for the dance remix of the track "The dying rose"
that was also shot on video. "Face (of) death" revealed
a much more dancefloor oriented and synthetic music approach with
a larger place given to the male & female vocal duality featuring
Anne-Laure H. as 3rd member of the band. "Ghost of my life"
and "The shepherd's deathline" became club hits in Europe
and America and brought the band to perform here and there in Belgium,
France and Germany.
Conceptually, "Face (of) death" was the second part of
the band's trilogy around Death. It depicts a better dominated approach
of the black queen in a face to face type of attitude. Opening the
transition towards the third and last album around the them where
nobody fears Death any more, and is simply prepared to land on the
other side... After the mismanagement and eventual demise of their
label Celtic Circle Prod., the band recovered all rights on their
back catalogue and entered a phase of deconstruction: new line-up,
release of a side-project called "[IN]TERNAL" on Zoth
Ommog, etc. Meanwhile Benoît and Séba (both founders
of the band) appeared on cover compilations (Kraftwerk and Sisters
Of Mercy) and conducted a few remixes for other artists.
Having found in Thomas D. (keys & guitars) and Laurence H.
(female vox) the right partners to bring a new breath of life to
the project, the new line-up started working on the 3rd release
and last chapter of aïboforcen's trilogy. Moving from a rather
darkish type of sound, the new material is revealing another step
towards new soundscapes and fresh rhythm structures mixing their
typical dark pop melodic electronics with techno and trip hop elements.
"Sons Palliatifs" (palliative sounds) is more than ever
a very varied album featuring strong dance future pop songs, next
to tortured instrumental electronics and smoother dark tracks, including
a sarcastic reinterpretation of The Cure, plus a new millennium
remix of their hit "Shepherd's Deathline" by Negative
Format. The album will be released by Alfa Matrix in October 2001.
The band worked in studio this time together with producer Jonah
Hex (Internal), while all artwork and images were put into the hands
of Belgium's famous photographer Jean-François Soyez. Other
collaborations on this new release include artists like Icon Of
Coil, Assemblage 23, Suicide Commando, Flesh Field, Yendri, etc.
After over 4 years of silence, aïboforcen prepared the ultimate
electronic industrial pop album of the year 2001... Get prepared
for the world contamination! Power and melody guaranteed.
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